Anja Breien (1940-2026) was educated at the French film school L'Institut des hautes études cinématographiques (IDHEC), graduating in 1964, after first having studied french at the University of Oslo, as well as having had her start in the movie-business working as a script supervisor on Nils R. Müllers film Det Store Varpet in 1961. She made her directorial debut with the short film Growing Up in 1967, based on a medieval legend. The short was later to become part of the portmanteau film Days From A Thousand Years in 1970. Her feature film debut was the criminal drama Rape in 1971, which received favorable reviews, and has in recent years been released on DVD as part of the 'Norwegian Classics'-line. Breien's second film followed in 1975, and has since become one of the most commented and analyzed films in Norwegian cinema history: The cheerful and decidedly feminist comedyWives became a box-office success, and made editor of International Film Guide, Peter Cowie, refer to Breien as a dogme-director twenty years ahead of time. The film also spurred to popular sequels; Wives - Ten Years After (1985) and Wives III (1995), examining the lives of the characters of the original film ten and twenty years on. Wives - Ten Years After was also awarded the Norwegian National Film Award Amanda for Best Film of 1985. After the critical acclaim and commercial success of the first Wives-film in 1975, Breien was firmly established as one of the leading directors in Norwegian cinema, a position she further cemented in the following years, directing critically hailed films like Games of Love and Loneliness (1977) and Heritage (1979), the latter of which was nominated for the Palme d'Or at the 1979 Cannes Film Festival. Her 1981 drama Witch Hunt was selected for the Venice Film Festival, and the thriller Paper Bird (1984) further displayed Breien's proficiency across genres. In addition to directing numerous feature films of significance, Breien has also established herself as a director of perhaps equally important short and documentary films, through her entire career. In addition to her early short, more recent films such as Solvorn (1997), To see a Boat in Sails(2000), Untitled - Sans tître (2005), Etching (2009) and Yezidi (2009) have all been screened at international festivals, and received several awards. The documentary short To See a Boat in Sails (2000) was for instance awarded the Prix UIP Berlin at the Berlin International Film Festival in 2001, and also the award for Best Live Action Short Film at the Toronto World Wide Short Film Festival. While first and foremost recognized as a director, it must also be noted that Breien has extensive experience as a writer, and has written most of her own films over the years, be they either original screenplays or adaptations. She has also written screenplays for other directors, notably Ola Solum's Second Sight from 1994. A subject of academic interest on every level, a pioneer among Norwegian female film professionals, and one of the still active longtime veterans of the Norwegian film industry, Anja Breien is revered and respected as one of the most influential and important directors in Norwegian film history, as well as one of Norway's most internationally recognized directors, with a career spanning five decades.
Anja Breien (1940-2026) was educated at the French film school L'Institut des hautes études cinématographiques (IDHEC), graduating in 1964, after first having studied french at the University of Oslo, as well as having had her start in the movie-business working as a script supervisor on Nils R. Müllers film Det Store Varpet in 1961. She made her directorial debut with the short film Growing Up in 1967, based on a medieval legend. The short was later to become part of the portmanteau film Days From A Thousand Years in 1970. Her feature film debut was the criminal drama Rape in 1971, which received favorable reviews, and has in recent years been released on DVD as part of the 'Norwegian Classics'-line. Breien's second film followed in 1975, and has since become one of the most commented and analyzed films in Norwegian cinema history: The cheerful and decidedly feminist comedyWives became a box-office success, and made editor of International Film Guide, Peter Cowie, refer to Breien as a dogme-director twenty years ahead of time. The film also spurred to popular sequels; Wives - Ten Years After (1985) and Wives III (1995), examining the lives of the characters of the original film ten and twenty years on. Wives - Ten Years After was also awarded the Norwegian National Film Award Amanda for Best Film of 1985. After the critical acclaim and commercial success of the first Wives-film in 1975, Breien was firmly established as one of the leading directors in Norwegian cinema, a position she further cemented in the following years, directing critically hailed films like Games of Love and Loneliness (1977) and Heritage (1979), the latter of which was nominated for the Palme d'Or at the 1979 Cannes Film Festival. Her 1981 drama Witch Hunt was selected for the Venice Film Festival, and the thriller Paper Bird (1984) further displayed Breien's proficiency across genres. In addition to directing numerous feature films of significance, Breien has also established herself as a director of perhaps equally important short and documentary films, through her entire career. In addition to her early short, more recent films such as Solvorn (1997), To see a Boat in Sails(2000), Untitled - Sans tître (2005), Etching (2009) and Yezidi (2009) have all been screened at international festivals, and received several awards. The documentary short To See a Boat in Sails (2000) was for instance awarded the Prix UIP Berlin at the Berlin International Film Festival in 2001, and also the award for Best Live Action Short Film at the Toronto World Wide Short Film Festival. While first and foremost recognized as a director, it must also be noted that Breien has extensive experience as a writer, and has written most of her own films over the years, be they either original screenplays or adaptations. She has also written screenplays for other directors, notably Ola Solum's Second Sight from 1994. A subject of academic interest on every level, a pioneer among Norwegian female film professionals, and one of the still active longtime veterans of the Norwegian film industry, Anja Breien is revered and respected as one of the most influential and important directors in Norwegian film history, as well as one of Norway's most internationally recognized directors, with a career spanning five decades.
