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Sep 25, 1974 Movie
Tu Kuang-chi

Tu Kuang-chi

Directing
Born Aug 26, 1914 (65 years old)
Place of Birth Zhejiang, China
Died May 30, 1980
Gender Male
Popularity 0.5
Also Known As Tu Kwang Chai, Doo Kwang Gee, 屠光啟 +7 more

Biography

Tu Guang Qi (1914 -1980), also known as 屠光啟. His original name was Tu Guangqi, and he was from Shaoxing, Zhejiang. He originally studied at Hangchow University. In 1935, he was admitted to the National School of Drama in Nanjing, graduating in 1937. In the same year, the War of Resistance broke out, and he served as a drama section staff member in the Seventh Division of the Third Department of the Political Bureau of the Military Affairs Commission. In 1939, he moved from Wuhan to the Shanghai foreign concessions and joined the Shanghai Drama Society to perform in stage plays, including *Flowers Spilling Tears*, *The Deep Abyss*, and *Ge Nianniang*. *Ge Nianniang* was a massive box office hit that caused a sensation at the time. Zhang Shankun then adapted the stage play into a film titled ***Ge Nianniang*** (1939) under the name of Huacheng Film Company. Tu reprised his original role in the film, which was also the first motion picture he acted in.

After the victory of the War of Resistance, he adapted the stage play *The Wild Rose* into the film ***Spy Number One*** (1946) for the Third Studio of the Central Motion Picture Corporation in Peiping (now Beijing), starring Ouyang Shafei. The film tells the heroic story of a Chinese female spy lurking in the home of a traitor; with its twists and thrilling romance, it was a tremendous box office success and one of the most famous post-war Chinese films, which also brought Tu widespread fame. Following that, he directed ***A Tragic Marriage*** (1947), adapted from Xu Zhenya's famous tragic novel *Jade Pear Spirit*, which was also very popular. In addition, he established his own Qihua Film Company.

In 1950, invited by Zhang Shankun, he moved from Shanghai to Hong Kong to make films. The first film he directed in Hong Kong was ***To See the Clouds Roll*** (1950), produced by Zhang Shankun's Far East Film Company. ***Angel and Devil*** (1952), starring Chen Yunshang and marking the resumption of operations for Zhang Shankun's Xinhua Film Company, was also directed by Tu. During the 1950s, he primarily worked as a director for Xinhua Film Company, among which ***General Chai and Lady Balsam*** (1953) and ***The Dawn of China's Revolution*** (1953), both starring Li Lihua and based on historical figures, were his most successful and famous works. In 1963, Xinhua Company relocated to Taiwan and ended its film production operations in Hong Kong. Tu switched to directing Cantonese-language films for Wong Cheuk-hon's Ling Kwong Company. During the same period, he also directed several Teochew-dialect opera films. He temporarily stopped directing to write wuxia novels. In 1967, he joined Hong Kong's Cathay Organisation. The first wuxia film he directed for Cathay was ***The First Sword*** (1967), which was a solid box office success and also propelled actress Chen Manling to stardom. Afterward, he directed multiple wuxia films for Cathay until Cathay ended its Hong Kong film production operations in 1971. Tu's final directed film was ***Crush*** (1972). His last participation in film production was acting in ***The Valiant Ones*** (1975), directed by King Hu. He immigrated to the United States in 1973 and passed away from illness in Los Angeles on May 30, 1980.
Tu Guang Qi (1914 -1980), also known as 屠光啟. His original name was Tu Guangqi, and he was from Shaoxing, Zhejiang. He originally studied at Hangchow University. In 1935, he was admitted to the National School of Drama in Nanjing, graduating in 1937. In the same year, the War of Resistance broke out, and he served as a drama section staff member in the Seventh Division of the Third Department of the Political Bureau of the Military Affairs Commission. In 1939, he moved from Wuhan to the Shanghai foreign concessions and joined the Shanghai Drama Society to perform in stage plays, including *Flowers Spilling Tears*, *The Deep Abyss*, and *Ge Nianniang*. *Ge Nianniang* was a massive box office hit that caused a sensation at the time. Zhang Shankun then adapted the stage play into a film titled ***Ge Nianniang*** (1939) under the name of Huacheng Film Company. Tu reprised his original role in the film, which was also the first motion picture he acted in.

After the victory of the War of Resistance, he adapted the stage play *The Wild Rose* into the film ***Spy Number One*** (1946) for the Third Studio of the Central Motion Picture Corporation in Peiping (now Beijing), starring Ouyang Shafei. The film tells the heroic story of a Chinese female spy lurking in the home of a traitor; with its twists and thrilling romance, it was a tremendous box office success and one of the most famous post-war Chinese films, which also brought Tu widespread fame. Following that, he directed ***A Tragic Marriage*** (1947), adapted from Xu Zhenya's famous tragic novel *Jade Pear Spirit*, which was also very popular. In addition, he established his own Qihua Film Company.

In 1950, invited by Zhang Shankun, he moved from Shanghai to Hong Kong to make films. The first film he directed in Hong Kong was ***To See the Clouds Roll*** (1950), produced by Zhang Shankun's Far East Film Company. ***Angel and Devil*** (1952), starring Chen Yunshang and marking the resumption of operations for Zhang Shankun's Xinhua Film Company, was also directed by Tu. During the 1950s, he primarily worked as a director for Xinhua Film Company, among which ***General Chai and Lady Balsam*** (1953) and ***The Dawn of China's Revolution*** (1953), both starring Li Lihua and based on historical figures, were his most successful and famous works. In 1963, Xinhua Company relocated to Taiwan and ended its film production operations in Hong Kong. Tu switched to directing Cantonese-language films for Wong Cheuk-hon's Ling Kwong Company. During the same period, he also directed several Teochew-dialect opera films. He temporarily stopped directing to write wuxia novels. In 1967, he joined Hong Kong's Cathay Organisation. The first wuxia film he directed for Cathay was ***The First Sword*** (1967), which was a solid box office success and also propelled actress Chen Manling to stardom. Afterward, he directed multiple wuxia films for Cathay until Cathay ended its Hong Kong film production operations in 1971. Tu's final directed film was ***Crush*** (1972). His last participation in film production was acting in ***The Valiant Ones*** (1975), directed by King Hu. He immigrated to the United States in 1973 and passed away from illness in Los Angeles on May 30, 1980.

Credits

Sweet Memories
1952
Director
Sweet Memories
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A Shadow over the Chateau
A Shadow over the Chateau
1960 9
Director
A Shadow over the Chateau
Mar 10, 1960
Director
A Shadow over the Chateau
A Shadow over the Chateau
1960 9
Writer
A Shadow over the Chateau
Mar 10, 1960
Writer
The Heiress
1959
Director
The Heiress
Jan 1, 1959
Director
Murderer Among the Sisters
Murderer Among the Sisters
1948
Director
Murderer Among the Sisters
Jan 1, 1948
Director
Qiu Jin, the Revolutionary Heroine
1953 10
Director
Qiu Jin, the Revolutionary Heroine
Oct 16, 1953
Director
The Secret Code
1965
Screenplay
The Secret Code
Dec 15, 1965
Screenplay
Double Exposure
Double Exposure
1966
Director
Double Exposure
Jul 6, 1966
Director
Double Exposure
Double Exposure
1966
Screenplay
Double Exposure
Jul 6, 1966
Screenplay
Lady Spy No. 1
Lady Spy No. 1
1965
Screenplay
Lady Spy No. 1
May 20, 1965
Screenplay
The Mortal Wind
The Mortal Wind
1954 8
Director
The Mortal Wind
May 21, 1954
Director
The Mortal Wind
The Mortal Wind
1954 8
Writer
The Mortal Wind
May 21, 1954
Writer
Tears of Songstress
Tears of Songstress
1953 8
Director
Tears of Songstress
Jan 22, 1953
Director
The Moon-Blanch'd Land
The Moon-Blanch'd Land
1952
Director
The Moon-Blanch'd Land
Apr 13, 1952
Director
Sorrowful Glory
Sorrowful Glory
1953 9
Director
Sorrowful Glory
Jan 9, 1953
Director
Sorrowful Glory
Sorrowful Glory
1953 9
Writer
Sorrowful Glory
Jan 9, 1953
Writer
The Moon-Blanch'd Land
The Moon-Blanch'd Land
1952
Writer
The Moon-Blanch'd Land
Apr 13, 1952
Writer
Meal Time
Meal Time
1953 9
Director
Meal Time
Mar 5, 1953
Director
Meal Time
Meal Time
1953 9
Writer
Meal Time
Mar 5, 1953
Writer
The Daring Gang of Nineteen from Verdun City
The Daring Gang of Nineteen from Verdun City
1960 10
Director
The Daring Gang of Nineteen from Verdun City
Mar 3, 1960
Director
The Heroic Lovers from the Tomb
The Heroic Lovers from the Tomb
1961 8
Director
The Heroic Lovers from the Tomb
Apr 13, 1961
Director
The Notorious Woman Thief
The Notorious Woman Thief
1963
Director
The Notorious Woman Thief
Oct 7, 1963
Director
The Notorious Woman Thief
The Notorious Woman Thief
1963
Screenplay
The Notorious Woman Thief
Oct 7, 1963
Screenplay
The Secret Code
1965
Director
The Secret Code
Dec 15, 1965
Director
Love & Obligation
Love & Obligation
1955 10
Director
Love & Obligation
Jan 1, 1955
Director
Love & Obligation
Love & Obligation
1955 10
Writer
Love & Obligation
Jan 1, 1955
Writer
You Are My Soul
1958 10
Director
You Are My Soul
Dec 31, 1958
Director
Where Is My Bride?
Where Is My Bride?
1958 8
Director
Where Is My Bride?
Dec 18, 1958
Director
Where Is My Bride?
Where Is My Bride?
1958 8
Writer
Where Is My Bride?
Dec 18, 1958
Writer
Spy Number One
Spy Number One
1946
Screenplay
Spy Number One
Jan 1, 1946
Screenplay
Crush
Crush
1972 8.7
Director
Crush
Jun 20, 1972
Director
The Violet Mansion
The Violet Mansion
1969 7
Director
The Violet Mansion
Feb 15, 1969
Director
The Violet Mansion
The Violet Mansion
1969 7
Screenplay
The Violet Mansion
Feb 15, 1969
Screenplay
Lotus Camp
Lotus Camp
1969 9
Director
Lotus Camp
Jun 11, 1969
Director
The First Sword
The First Sword
1967 10
Director
The First Sword
Dec 28, 1967
Director
The First Sword
The First Sword
1967 10
Screenplay
The First Sword
Dec 28, 1967
Screenplay
General Chai and Lady Balsam
General Chai and Lady Balsam
1953 10
Director
General Chai and Lady Balsam
Aug 2, 1953
Director
The Horrible Night
1963
Director
The Horrible Night
Nov 16, 1963
Director
Spy Number One
Spy Number One
1946
Director
Spy Number One
Jan 1, 1946
Director
The 72 Martyrs of Canton
The 72 Martyrs of Canton
1954 9
Director
The 72 Martyrs of Canton
Jul 15, 1954
Director
The Secret Book (New Series), Part 1
1962
Script
The Secret Book (New Series), Part 1
Dec 19, 1962
Script
Homeless Children
1964
Director
Homeless Children
Sep 2, 1964
Director
Homeless Children
1964
Screenplay
Homeless Children
Sep 2, 1964
Screenplay
The Flaming Mountain
The Flaming Mountain
1962
Writer
The Flaming Mountain
Jul 25, 1962
Writer
The Secret Book (New Series), Part 2
1963
Script
The Secret Book (New Series), Part 2
Mar 20, 1963
Script
The Great Wall of China
The Great Wall of China
1955
Director
The Great Wall of China
Jan 1, 1955
Director
Modern Woman
Modern Woman
1945
Director
Modern Woman
Jan 1, 1945
Director
Modern Woman
Modern Woman
1945
Writer
Modern Woman
Jan 1, 1945
Writer
Resurrection Incense
Resurrection Incense
1941 9
Editor
Resurrection Incense
Apr 1, 1941
Editor
One Murder, Five Deaths
One Murder, Five Deaths
1963
Director
One Murder, Five Deaths
Nov 13, 1963
Director
One Murder, Five Deaths
One Murder, Five Deaths
1963
Writer
One Murder, Five Deaths
Nov 13, 1963
Writer

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Tu Kuang-chi
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