Bingham Bryant is a director, producer and film programmer based in New York City. His feature debut, For the Plasma (2014, co-directed with Kyle Molzan) screened at festivals including Entrevues Belfort, BAMcinémaFest, Maryland, IndieLisboa and Jeonju IFF, and was distributed in the US by Factory 25. In 2016 he produced Dear Renzo (dirs. Agostina Gálvez & Francisco Lezama), acquired by HBO for international distribution and an official selection at the Viennale, FICUNAM, BAFICI (where it took top prize in the Argentine short competition) and Palm Springs IFF. His short Foreign Powers (2019) world-premiered at the New York Film Festival and also screened at Maryland, Palm Springs, Nashville and the Chicago Underground Film Festival. He was the head of programming at streaming platform Le Cinéma Club, a film publicist at Cinetic Media, and has performed in films by Ricky D’Ambrose, Dustin Guy Defa and Joanna Arnow. His recent writing includes ‘Seeing Eye to Eye: Colour Correction Styles Across Today’s Film Restorations’ for Filmmaker magazine. Bryant is currently in post-production on an experimental short about art critic and collector Adrian Dannatt, and in development on his second fiction feature and a short adaptation of Edogawa Rampo’s ‘The Traveler with the Pasted-Rag Picture’.
Bingham Bryant is a director, producer and film programmer based in New York City. His feature debut, For the Plasma (2014, co-directed with Kyle Molzan) screened at festivals including Entrevues Belfort, BAMcinémaFest, Maryland, IndieLisboa and Jeonju IFF, and was distributed in the US by Factory 25. In 2016 he produced Dear Renzo (dirs. Agostina Gálvez & Francisco Lezama), acquired by HBO for international distribution and an official selection at the Viennale, FICUNAM, BAFICI (where it took top prize in the Argentine short competition) and Palm Springs IFF. His short Foreign Powers (2019) world-premiered at the New York Film Festival and also screened at Maryland, Palm Springs, Nashville and the Chicago Underground Film Festival. He was the head of programming at streaming platform Le Cinéma Club, a film publicist at Cinetic Media, and has performed in films by Ricky D’Ambrose, Dustin Guy Defa and Joanna Arnow. His recent writing includes ‘Seeing Eye to Eye: Colour Correction Styles Across Today’s Film Restorations’ for Filmmaker magazine. Bryant is currently in post-production on an experimental short about art critic and collector Adrian Dannatt, and in development on his second fiction feature and a short adaptation of Edogawa Rampo’s ‘The Traveler with the Pasted-Rag Picture’.
