He was started his career in the cinema industry at 1992 as a backstage cinematograph in the Judgement Day movie, whose director was Shahram Asadi. From 1995 he officially started to work in Iranian cinema photography with the movie Shade to Shade whose director was Ali Jakan, and recognized as the youngest Iranian cinema photographer in the mass media and specialized journals. Besides photography, he was working in the short and experimental cinema as a cameraman. He filmed his first short movie as a director of photography in Nader, son of the sword, whose director was Mohsen Amir yousefi and produced by community of Young Iranians’ cinema. Since 2006 he has actively started to work as a director of photography in the Islamic Republic of Iran’s cinema and Broadcasting. Currently, besides working in photography, he is actively engaged in producing long and short films. One of his recent movies as a producer is Roshanak, whose director is Hosein Ghanaaat.
He was started his career in the cinema industry at 1992 as a backstage cinematograph in the Judgement Day movie, whose director was Shahram Asadi. From 1995 he officially started to work in Iranian cinema photography with the movie Shade to Shade whose director was Ali Jakan, and recognized as the youngest Iranian cinema photographer in the mass media and specialized journals. Besides photography, he was working in the short and experimental cinema as a cameraman. He filmed his first short movie as a director of photography in Nader, son of the sword, whose director was Mohsen Amir yousefi and produced by community of Young Iranians’ cinema. Since 2006 he has actively started to work as a director of photography in the Islamic Republic of Iran’s cinema and Broadcasting. Currently, besides working in photography, he is actively engaged in producing long and short films. One of his recent movies as a producer is Roshanak, whose director is Hosein Ghanaaat.
