Boris Yurievich Yukhananov (Russian: Борис Юрьевич Юхананов; born 30 September 1957; Moscow) is a Russian director of theatre, video, cinema and TV, a theatre educator and theorist. He is currently the Artistic Director of the Stanislavsky Electrotheatre, Moscow. He was a pioneering figure in Russia’s underground art movement in the 1980s and 1990s and was one of the founders of the Soviet Parallel Cinema movement, which provided an alternative cinema to that which was produced by the state. His recent major works include a radical interpretation of Maurice Maeterlinck’s The Blue Bird, the opera serial Drillalians and the two-part The Constant Principle. Founder of the new processualism movement, a methodology and artistic strategy that posits theatre as the focal point of all forms of art involving every aspect of time, whether it be cinema, a musical concert or performance art.
Boris Yurievich Yukhananov (Russian: Борис Юрьевич Юхананов; born 30 September 1957; Moscow) is a Russian director of theatre, video, cinema and TV, a theatre educator and theorist. He is currently the Artistic Director of the Stanislavsky Electrotheatre, Moscow. He was a pioneering figure in Russia’s underground art movement in the 1980s and 1990s and was one of the founders of the Soviet Parallel Cinema movement, which provided an alternative cinema to that which was produced by the state. His recent major works include a radical interpretation of Maurice Maeterlinck’s The Blue Bird, the opera serial Drillalians and the two-part The Constant Principle. Founder of the new processualism movement, a methodology and artistic strategy that posits theatre as the focal point of all forms of art involving every aspect of time, whether it be cinema, a musical concert or performance art.
