Diego Santos is an audiovisual filmmaker who works in screenwriting, directing, and editing, with a filmography marked by contemplative and sensory narratives. His work explores everyday life through an intimate lens, transforming small events into experiences laden with meaning.
He debuted with *O Ingresso* (2022), followed by *Um Momento no Tempo* (2024) and *Fotografias Desbotadas* (2024), consolidating an auteur approach centered on time, memory, and perception. In 2026, he released *Doce Vertigem*, expanding his aesthetic language and deepening his creative identity.
His films move between the real and the subjective, inviting the viewer to slow down and observe what usually goes unnoticed.
Diego Santos is an audiovisual filmmaker who works in screenwriting, directing, and editing, with a filmography marked by contemplative and sensory narratives. His work explores everyday life through an intimate lens, transforming small events into experiences laden with meaning.
He debuted with *O Ingresso* (2022), followed by *Um Momento no Tempo* (2024) and *Fotografias Desbotadas* (2024), consolidating an auteur approach centered on time, memory, and perception. In 2026, he released *Doce Vertigem*, expanding his aesthetic language and deepening his creative identity.
His films move between the real and the subjective, inviting the viewer to slow down and observe what usually goes unnoticed.
