Kung Fu Panda 3

Kung Fu Panda 3 does not disappoint. It has great animation, great music, and a great story. We loved it. My son, who is 9, enjoyed the story and thought the movie was very funny. The panda theme was adorable as pandas are cute animals. Also, the scary guy wasn't that scary - and was more funny. Jack Black is hilarious and everyone in the theater was laughing. There were some sad moments and some happy moments but you leave the theater feeling uplifted. If you like action movies, you will like this because many things explode but there is no gore. The colors of the film are quite beautiful and lush. Go see it! You will enjoy it. Take your kids.

> This time no Skadoosh, but Chi time.

Three successful films in an animation franchise is a great achievement and according to the production house, yet another 3 films are going to hit the screens in a decade of time. So if you are an animation fan, especially 'Kung Fu Panda' and Po's fan, brace yourself for the future treats. This film was amazing. After two wonderful adventures, now this story has calmed down a bit with simplicity. Visually, it was spectacular with all those fight sequences, but the story was quite dramatised with enough comedies and then the final battle to conclude the 3rd installment on a high note.

I think it was a well designed storyline in advance keeping in mind 5 to 6 films, that's why the flow was very smooth between all the three with those flashbacks placed at the right place. This particular part belongs to Pandas, the furious five were absent in most of the film, but good to see the return of Oogway. The master Oogway comes at the beginning and then during the end, though very happy for presence as he's my favourite character in this franchise. He's not a big player, but like Yoda, he's amazing and tell me who won't like him.

This time no Skadoosh, but a new villain with a battle fought for a new powerful thing called Chi. Now Po got a promotion, so I'm very excited for the next film for how it will going to turn out. This is a beautiful family film and must not miss it. All the cast was returned from the previous two and a few more new were recruited and it is set in a new location for the most of the narration like the most of the animations has done in China. After all made in China is not so bad.

8/10

Kung Fu Panda 3 is about what you would expect. A roller coaster ride of gags, goof ups and outrageous martial art outbursts.

Po is himself, clumsy, naïve, martial arts master and funny. As usual he is accompanied by his friends from the previous movies including the somewhat reluctant Shifu. The wise turtle Oogway from the first Kung Fu Panda is back as well, kind of.

Naturally there is a big bad villain, General Kai, who it turns out have some past relations to Oogway. General Kai is pretty good as a villain with a suitable maniacal expression on his face. Then of course, a bull in itself is already projecting bad temper and violence so it is a good start.

The main story is of course about defeating General Kai but Po’s reunification with his (real) father and the rest of the, funny and very clumsy, inhabitants in the Panda village is taking up a large part of the movie.

In general the story is quite nice with some nice twists.

It should come as no surprise that Po, as usual, saves the day in a cataclysmic showdown with General Kai. There are some great animation effects in the final battle.

At the end of the day this is a quite recommendable family movie.

"Po" just wants a peaceable life but Master "Chifu" has other plans. He wants to go spend some more time with his chi, so asks his dragon lord to take over the training regime of his pals. The now fairly accomplished panda thinks that's a daft idea, but who is he to argue? In the village one afternoon he meets another, paunchier, giant panda that is looking for his log lost son? The briefest moment of confusion follows before hugs and tears and now "Po" has two dads! Just as well because we quickly learn that the long imprisoned bull "General Kai" has escaped from his inter-dimensional prison bent on destroying everything connected with his former mentor "Oogway" - and that includes just about all of them! Team "Po" has to get it's act together in the face of such a mighty foe - and that takes them to the hitherto secret land of the pandas and to an ultimate confrontation with their chain-swirling nemesis. Can "Po" believe in himself? Can his new-found family and his old one join together to help him? No, I don't suppose there is heaps of jeopardy here, but the characters are engaging and I like this creature that has a modesty about his skills that's quite refreshing. Team work? Yes. Family baggage? Yes. Loads of action scenes? Yes. Indeed, it's just a fun rehash of the others in the franchise that uses some characterful animation to tell an adventure story that anyone can watch and enjoy. It doesn't pontificate, which is another element to this strand that I rather like, and it mixes up just enough mythology to keep it a bit special. Not as good as the first one, but the strong ensemble of beasties and acrobatics works well for a quickly paced family adventure.

I enjoyed the movie, funny good story but after watching them in a row 1, 2 and 3 the story is looking very familiar. That was disappointing. But having the rest right certainly makes up for it and enough of a change to make it worth watching. Great actors supporting the movie with their voices also makes this a fantastic movie.

You know that feeling of going back to your parents' house after a long time and finding everything in the exact same place? That’s pretty much what Kung Fu Panda 3 delivers. We laugh, get a little emotional, eat some dumplings, and leave with a warm heart. But is DreamWorks' magic formula starting to show signs of fatigue, or does the Dragon Warrior still have what it takes to surprise us? Let’s talk about what worked and what fell short in this trilogy closer.

Nelson and Carloni’s direction does an undeniably competent job, but they play it safe the whole time. It’s clear the duo chose not to take any unnecessary risks. While the second movie gave us bold framing and a play of shadows bordering on film noir during Po’s flashbacks, here the camera follows the basic adventure animation playbook. The wide shots to introduce locations work perfectly to ground the viewer, and the transitions are clean. It’s bureaucratic direction in the best sense of the word: it doesn’t get in the story's way, it doesn't confuse the audience, but it also steers clear of offering any aesthetic challenge or innovation in how the journey is told.

The script is, plain and simple, the classic hero’s journey packaged for quick consumption. And this is the most middle-of-the-road aspect of the film. The pacing moves like a bullet train, jumping from the sudden meeting with his biological dad to the road trip, and right into the looming threat. This rush doesn't let the dilemmas breathe. The narrative development feels like it's following a studio checklist: action scene, joke, moment of doubt, discovering a hidden power, final battle. It works to hold the kids' attention from the first minute to the last, but it leaves adults with a "been there, done that" feeling, missing the emotional depth and the real stakes that the second chapter’s script was brave enough to tackle.

Humor has always been the main driving force of Kung Fu Panda. Seeing a chubby bear doing acrobatics and talking about food gets some genuine laughs. The problem with Kung Fu Panda 3 is its inability to turn off the joke machine. Several times, the story builds genuine tension or hits a dramatic emotional peak, only to kill the vibe seconds later with Po tripping over something or making an out-of-place comment. The main character, who has saved China twice by now, is sometimes portrayed so naively and foolishly that it borders on character regression. Is it funny? Yes, most of the time. But this excess of lightheartedness takes away a lot of the plot's weight and consequences.

If you're expecting visceral fights focused on physical impact and classic martial arts techniques—like Tai Lung’s brilliant prison escape in the first movie—you might be a bit disappointed. Here, the action takes on an almost cosmic scale. Hand-to-hand combat takes a backseat to spiritual powers, beams of light, bursts of chi energy, and golden dragons flying across the screen. The result is absolutely stunning visually, with massive, superpowered sequences. However, this shift in tone pushes the fights much closer to fantasy anime than the Wuxia (Chinese martial arts fantasy) films that originally inspired the franchise. It’s epic, but it loses a bit of that gritty, realistic texture of sweat on the mat.

This might be the script's biggest stumble. The Furious Five—Tigress, Monkey, Mantis, Viper, and Crane—were key pieces in building Po's universe and family in the previous films. Here, they are reduced to glorified extras. The vast majority of the group is quickly defeated and turned into jade statues by the villain in the early scenes, serving only as a cheap plot device to show the audience "look how dangerous Kai is." Except for Tigress, who gets a few more lines acting as the messenger of doom, wasting characters with such rich designs and personalities (and incredibly expensive voice actors) borders on frustrating.

On the flip side, what keeps you hooked is Po’s arc. Taking the protagonist out of the comfortable position of prodigy student and throwing him into the fire as a teacher creates some great internal conflict. His imposter syndrome kicks in hard. The best part of his main development isn't seeing Po learn a new move, but rather his mental journey to understand that true leadership doesn't mean creating copies of yourself—like he tried to do by mimicking Master Shifu's strictness. The realization that he needs to guide each individual to find their own strength is a beautiful and coherent evolution for his character.

The antagonist this time around has an intimidating presence. Masterfully voiced and armed with chained jade blades that make for some spectacular action sequences, Kai is visually striking. His theme music is excellent. But truth be told: he is by far the shallowest villain of the trilogy. While Tai Lung carried the tragedy of a rejected son and Lord Shen was a cruel strategist driven by panic and prejudice, Kai is just a forgotten general hungry for power. His motivation boils down to a 500-year-old grudge because Oogway "betrayed" him. There’s no ideological clash with Po, no psychological baggage. He’s just a generic brute that needs to be punched.

Where the script fails, the character design more than makes up for it. The art team gives a masterclass on how to use geometric shapes to tell a story. The Panda Village is built entirely around circles: the characters are round, soft, and project warmth and laziness, wearing warm tones and rustic fabrics. In direct contrast, we have Kai and his army of spirit zombies. They are drawn with sharp edges, pointy horns, and an unnatural, icy jade green. You don't need to hear a single line of dialogue to know who’s good and who’s bad; the color palette and silhouettes give away the scene's entire intention from the very first second.

An average script gets a lot of breathing room when the voice cast knows exactly what they're doing. Jack Black doesn’t just voice Po; he basically lends his hyperactive, charismatic soul to the bear. It’s impossible to separate one from the other. Adding Bryan Cranston as Li Shan (the biological dad) was a slam dunk, bringing a "goofy dad" vibe but with a subtle pain in his eyes. And even while battling a script that doesn’t give him many layers, veteran actor J.K. Simmons delivers Kai’s lines with a gravity and guttural voice that commands the room, proving why he’s one of the best in the business.

Hans Zimmer returns to prove that the music of Kung Fu Panda is one of the pillars of its success. The movie's musical composition is a spectacle that walks the tightrope between East and West. He mixes folk instruments, like the erhu (a two-stringed Chinese violin) and traditional drums, with the deafening brass sections typical of action blockbusters. Kai’s theme, heavy and marked by rock beats, purposely clashes with the rest of the film to create unease. Whenever the plot hesitates or the emotion feels forced in the writing, it’s Zimmer’s majestic soundtrack that grabs the viewer by the arm and gives them goosebumps.

Aesthetically speaking, the raving reviews aren't exaggerating: the visual leap from the previous films is massive. DreamWorks really flexed their budget and technology here. The opening sequences and flashbacks, which use a 2D animation style mimicking classic paintings on ancient scrolls, are jaw-dropping. But the real star is the Spirit Realm. Designed as a golden cosmic ocean where pieces of temples float weightlessly, the setting looks like a watercolor painting brought to life. The way the light bounces off the jade surfaces shows the absolute peak of digital lighting technology at the time.

An essential theme, and perhaps the most touching of the whole movie, is the family dynamic built around Mr. Ping (the goose who owns the noodle shop). The plot deals with the jealousy he feels when Po’s biological father reappears. Ping’s natural fear of being replaced or forgotten creates incredibly real conflicts. The resolution of this tension—when both realize they aren’t competing for space, but rather adding love to their son’s life—is a subtle, empathetic, and mature take on adoption and non-traditional families, delivering the true emotional weight that the main fight just can't quite pull off.

The world-building introduces some genius ideas through its settings. The secret village in the snowy mountains isn’t just a pretty backdrop; it perfectly reflects the culture of its inhabitants. Since pandas are heavy and like to roll around, the village was designed with straw ramps, counterweight-powered cable cars, and connected hot springs. Everything feels like it was designed to facilitate a life of absolute leisure. This level of attention to detail makes the environment feel like a living, breathing, and totally believable ecosystem within the madness of the movie's universe.

One of the script's challenges was explaining the concept of "Chi" (the life force in Chinese philosophy) to kids without turning the movie into a boring Eastern religion class. The solution they found is clever and simplified: Kai steals Chi from others out of selfishness, while Po manages to master the energy through giving and self-discovery. The idea that true strength doesn't come from draining others, but from connecting with your community and understanding who you really are, translates complex Taoist ideas into an accessible and highly positive moral message for children.

The directors did a really cool job tying this story back to the first movie, creating a true visual rhyme. In the original 2008 film, Master Shifu only managed to train Po when he dropped traditional methods and started using food as motivation. Here, the script brilliantly flips the narrative. Po realizes the only way to train the village pandas for war is by using what they already do every day: hugging hard, kicking shuttlecocks, and eating a lot. It’s a callback that brings the character’s learning cycle to a perfect, satisfying close.

A lot of movies at the time used 3D just as a cheap gimmick to inflate ticket prices, but the art team behind Kung Fu Panda 3 actually justified the technology. The action was designed with spatial depth in mind. Kai’s blades are thrown directly along the Z-axis (straight at the audience's eyes), and the Spirit Realm sets, with floating islands scattered across different layers of the screen, cause a real sense of vertigo and immersion. It’s one of the few cases where watching the movie in three dimensions actually changes the way you take in the choreography and the scenery.

The bottom line is a movie with an average script, but massive in heart and visuals. It’s the kind of work that won’t revolutionize the genre or change the way you see the world, but it guarantees hours of pure entertainment and comfort. And you know what? Sometimes that’s all we need on a Friday night. If you’ve followed Po’s journey from the start, the ticket pays for itself in nostalgia and fondness for the characters. Make some popcorn, get cozy on the couch, and go watch it to draw your own conclusions. The visual experience and the good laughs, I guarantee, are totally worth hitting play.